Lincoln center ditches disco ball, embraces shifting sands
For years, New Yorkers have voiced their opinions – often vehemently – about the colossal disco ball shimmering above Lincoln Center Plaza. Now, Clint Ramos, the visionary set and costume designer, has surprised everyone by removing it, sparking a fresh wave of commentary. But this isn't a simple reversal; it's a deliberate artistic shift toward a more fluid, natural aesthetic.
A departure from the familiar sparkle
Ramos, Lincoln Center’s Artist in Residence and the creative force behind “Summer for the City,” is no stranger to eliciting strong reactions. He recalls the initial uproar when the 1,300-pound mirror ball was first installed in 2022. “I heard so much from New Yorkers,” he admitted, “It was all, ‘What are you doing? What are you doing to the sacred fountain?’” Yet, the ball persevered, becoming an almost iconic element of the summer programming. This year, however, Ramos opted for a different visual language, one inspired by the natural world.
Instead of the reflective surface, visitors now encounter a sweeping installation of light, loose fabric draped over a supporting structure. The effect, Ramos explains, is meant to evoke the restless movement of sand, a motif further enhanced by dynamic lighting projections that shift color to reflect the energy of each event. “We are doing lots of dance programming this summer, and sand constantly moves,” he notes. “It almost feels like the ‘sand’ is dancing with the people below.” The visual interplay acknowledges the passage of time, a subtle but powerful artistic statement.
Gold and light transform hearst plaza
The transformation extends beyond Josie Robertson Plaza, known affectionately as “The Dance Floor.” Hearst Plaza, typically a somber space defined by a still, dark pond, has undergone a vibrant metamorphosis. Ramos has filled the water with glowing gold bars, topped with light bulbs that mimic lily pads, cattails, and the terraced fields of a rice paddy. “It’s a sea of sparkling lights,” Ramos declares, adding giant gold discs – “sequins,” as he calls them – throughout the plaza, creating an irresistible selfie opportunity.
Beyond the immediate visual impact, Ramos has also added permanent elements, including the planting of young trees and the introduction of inviting wooden furniture. These additions encourage visitors to linger, read, and simply enjoy the atmosphere. His Tony Award-winning eye for detail, honed through years of experience, is evident in every aspect of the design. The annual “Summer for the City” program, which Ramos has overseen since its inception, aims to broaden access to the arts, offering free or pay-what-you-choose events across Lincoln Center’s sprawling grounds. The initiative has demonstrably expanded the center's reach, drawing diverse audiences to experience the performing arts.
Ultimately, Ramos’s perspective transcends the tangible design elements. “The best thing is seeing everyone together enjoying the arts,” he reflects, a sentiment that underscores the true purpose of his work.